A Video Production Agency Built to Move Fast

Most video production agencies make you choose between polish and speed. Sunlyte Productions is built to deliver both: small senior crews where the director of photography is often also the colorist, producing commercials, brand documentaries, product launches, and executive interviews out of San Francisco.

The agency model matters less than the working model. Ours is simple: a producer replies to every inquiry within two business hours, scopes a proposal with deliverables, schedule, and a number, and most projects go from first message to production inside a few weeks. Insured and permitted, every format delivered, one point of contact throughout.

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What We Produce

Commercials & brand films

Flagship films for campaigns, sites, and paid media.

Brand documentaries

Trust-building documentary work for brands whose product is their people.

Executive interviews

Broadcast-grade interview production, up to the Fortune-1 level.

Product launches

Launch films for hardware and consumer products.

Social campaigns

Vertical-native content planned into every shoot.

Photography

Stills shot alongside motion so every brand asset matches.

Selected Work

Rivian R1S Review: Better Than Tesla?

Comprehensive review of the Rivian R1S, exploring its technology, performance, and whether it truly beats Tesla.

ALPHA Blue Print

Create an engaging promotional video for ALPHA Blue Print's options trading course to present their educational platform and expertise.

CrossFit Community

Capture the energy and community of CrossFit Alinea's training.

Volcanic Wine Journey

Create an immersive photo series capturing the volcanic terrain and character of Volcanic Wine.

What working with the agency looks like

Discovery and strategy come first: business objectives translated into a creative roadmap through audience research and competitive analysis. Then a treatment, storyboard, and shot list you approve before any cameras roll. Production runs with agile expert crews and union-ready partners on Sony and Canon cinema cameras, RED, and ARRI, and post (edit, color grading, motion graphics, sound design) happens in-house.

Review is remote on Frame.io, and delivery means QC-ready masters per channel with analytics-ready metadata, campaign-ready within 24 hours. One point of contact runs the project from first reply to final master, and procurement stays calm because the process is transparent from the proposal onward.

The range of work

The portfolio runs from a finance education promo for ALPHA Blue Print and a brand documentary for CrossFit Alinea to a photo series shot across volcanic vineyards with drone coverage, and automotive review production for NothingButTech's Rivian R1S film. The common thread is not a style; it is that the same senior hands shoot, edit, and grade.

That range is deliberate. Beauty work lives on skin-true color, food on warmth and texture, enterprise interviews on separation and clean sound, campaigns on honest, warm footage that reads as the community it was shot in. An agency that finishes its own work can hold each of those standards without a handoff in between.

Common Questions

What size projects do you take?

From single-day local productions to multi-film campaign packages. The scoping call sorts fit quickly, and honestly, in both directions.

Who will actually work on our project?

The crew you meet is the crew that shoots. We do not sell with senior people and deliver with juniors: the small-crew model makes that impossible by design.

How fast do you respond?

A producer replies within two business hours: a human, not an autoresponder. If the project is a fit we set up a short call and follow with a scoped proposal: deliverables, schedule, and a number.

Are you insured?

Yes. All sets are insured under US production insurance, shoots are permitted, and both union and non-union crews are available depending on the production.

Where do you work?

San Francisco and the Bay Area as home base, with travel productions nationwide, including access-driven shoots like our Times Square ball-drop engineering documentary.